In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name. [3][4], In 2019, Alfonso Cuarón became the first winner of this category to have also served as director on the film, for his film Roma. Nominee/winner who also directed the film, Cuarón served as director and director of photography for, Osami Furuya, Sinsaku Himeda, Masamichi Satoh and, This page was last edited on 6 January 2021, at 22:39. Film Editing - Frederic Knudtson, Robert C. Jones, Gene Fowler, Jr. Music (Song) - It's A Mad, Mad, Mad, Mad World in "It's a Mad, Mad, Mad, Mad World" Music by Ernest Gold; Lyrics by Mack David, Sound - Samuel Goldwyn Studio Sound Department, Gordon E. Sawyer, Sound Director, Actress - Leslie Caron in "The L-Shaped Room", Le Maillon et la Chaine (The Link and the Chain), Documentary (Feature) - Paul de Roubaix, Producer, Cinematography (Black-and-White) - Ernest Haller, Writing (Screenplay--based on material from another medium) - James Poe, Actress in a Supporting Role - Lilia Skala in "Lilies of the Field", Writing (Story and Screenplay--written directly for the screen) - Arnold Schulman, Art Direction (Black-and-White) - Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Grace Gregory, Costume Design (Black-and-White) - Edith Head, Cinematography (Black-and-White) - Milton Krasner, Actress - Natalie Wood in "Love with the Proper Stranger", Music (Song) - More in "Mondo Cane" Music by Riz Ortolani and Nino Oliviero; Lyrics by Norman Newell, Short Subject (Cartoon) - Colin Low and Tom Daly, Producers, Music (Scoring of Music--adaptation or treatment) - Leith Stevens, Short Subject (Cartoon) - Carmen D'Avino, Producer, Robert Frost: A Lover's Quarrel with the World, Short Subject (Live Action) - Christopher Miles, Producer, Documentary (Short Subject) - Algernon G. Walker, Producer, Costume Design (Black-and-White) - Travilla, Music (Scoring of Music--adaptation or treatment) - Maurice Jarre, Writing (Screenplay--based on material from another medium) - Serge Bourguignon, Antoine Tudal, Music (Scoring of Music--adaptation or treatment) - George Bruns, Short Subject (Live Action) - Walker Stuart, Producer, Documentary (Short Subject) - Edgar Anstey, Producer, Actress - Rachel Roberts in "This Sporting Life", Actor - Richard Harris in "This Sporting Life", Documentary (Short Subject) - Mel London, Producer, Art Direction (Color) - Art Direction: Ralph Brinton, Ted Marshall, Jocelyn Herbert; Set Decoration: Josie MacAvin, Actress in a Supporting Role - Dame Edith Evans in "Tom Jones", Actress in a Supporting Role - Diane Cilento in "Tom Jones", Actor in a Supporting Role - Hugh Griffith in "Tom Jones", Actress in a Supporting Role - Joyce Redman in "Tom Jones", Costume Design (Black-and-White) - Bill Thomas, Art Direction (Black-and-White) - Art Direction: George W. Davis, Paul Groesse; Set Decoration: Henry Grace, Hugh Hunt, Actor in a Supporting Role - Nick Adams in "Twilight of Honor", Documentary (Feature) - Marshall Flaum, Producer, Art Direction: Hal Pereira, Tambi Larsen; Set Decoration: Sam Comer, Robert Benton, Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Grace Gregory, Art Direction: George W. Davis, Paul Groesse; Set Decoration: Henry Grace, Hugh Hunt, Art Direction: John DeCuir, Jack Martin Smith, Hilyard Brown, Herman Blumenthal, Elven Webb, Maurice Pelling, Boris Juraga; Set Decoration: Walter M. Scott, Paul S. Fox, Ray Moyer, Art Direction: Lyle Wheeler; Set Decoration: Gene Callahan, Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, James Payne, Art Direction: George W. Davis, William Ferrari, Addison Hehr; Set Decoration: Henry Grace, Don Greenwood, Jr., Jack Mills, Art Direction: Ralph Brinton, Ted Marshall, Jocelyn Herbert; Set Decoration: Josie MacAvin, William H. Daniels, Milton Krasner, Charles Lang, Jr., Joseph LaShelle, Irene Sharaff, Vittorio Nino Novarese, Renie. They felt it was too dark and were displeased by the black-and-white cinematography and Hud's lack of remorse and unchanged behavior. In the second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles that were under consideration by the Board of Judges. In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame (1927), and Four Devils (1928). Nakai shared the nomination with two others. 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